A Rainha das Terras da Luz
core novel 2005 O Ceptro de Aerzis
Record
| Original title | A Rainha das Terras da Luz |
|---|---|
| First published | 2005 |
| Original language |  PT |
| Work type | novel |
| Canon status | core |
| Reader rating | 3.73 (391 ratings, collected 2026-10-04) |
| Page count | 392 |
| First-edition ISBN | 9789895572434 |
| Internal chronology | 3 |
Synopsis
Six years have passed since Iruvienne became Queen of the Lands of Light, and the final volume of the trilogy places the fate of Caladmiron in her hands. The threat that the first two novels held at bay returns for a last contest between the forces of light and the darkness that has twice invaded the Lands, and the young queen, daughter of Galaduinne and heir to two worlds, must defend the Sceptre of Aerzis and decide what she is willing to give for her people. Written when its author was nineteen and published as the closing tome of a trilogy begun at fifteen, it brings the story of the elves, fairies, dwarves and gnomes of the Lands of Light, and of the living nature they defend, to its end.
Where it sits
- Universe: O Ceptro de Aerzis
- Series: O Ceptro de Aerzis core; position 3 of 3 in the series' recorded order
- Author: Inês Botelho
Notes
- From the series record (O Ceptro de Aerzis): Inês Botelho's Portuguese epic fantasy trilogy of Caladmiron and the Lands of Light, where elves, fairies, dwarves and gnomes defend a living nature against the darkness of Morgriff, and of Iruvienne, daughter of two worlds, who becomes their queen. Begun when the author was fifteen; a landmark of the 2000s wave of Portuguese fantasy.
Neighbouring works
Publication order and internal chronology are tracked as two separate orderings, but they resolve to the exact same sequence for this book, so one combined line is shown instead of two identical ones.
- Reading order, within the series O Ceptro de Aerzis: position 3 of 3: previous A Senhora da Noite e das Brumas (2004)
Sources
← O Ceptro de Aerzis dossier · All universes
Part of the Library. Fields without an identified source are omitted, never guessed.